Etamar Beglikter
PUBLICATIONS
KÖNYVEK, MINT A KULTURÁLIS TÖRÉS ESZKÖZEI
Text. Dr .Ben Baruch Blich, 2016
ETAMAR BEGLIKTER - MEMORY CUT ,the Israeli pavilion at the international book festival budapest ,hungary, 2016
KÖNYVEK, MINT A KULTURÁLIS TÖRÉS ESZKÖZEI
Bezalel Muvészeti Akadémia – Történelem és Elméleti Tanszék – Ben Baruch Blich
"We’ve Struck Oil", Janco-Dada Museum, Ein Hod
Text: Raya Zommer-Tal, 2015
Etamar Beglikter’s series of works in The exhibition We’ve Struck Oil was made in response to the ecological disaster at the Evrona Nature Reserve in the south of Israel in early December 2014. Millions of liters of crude oil leaked from a pipeline, causing severe ecological damage....
Etamar Beglikter’s Paper Artworks
Text: Bianca Severijns, “Paper Art View”
Tel-Aviv based multi-disciplinary artist Etamar Beglikter has me both intrigued and perplexed. It is the cultural, social and ecological layers that are portrayed in his artworks that have me asking so many questions. Beglikter uses a range of multi-mediums like clay, plaster, tar and iron to create his art. I am particularly drawn to his
כמו פרפר לאש – עקבות של מציאות
מאת : אורית לוטרינגר
בתערוכה מוצגות יחדיו שתי תערוכות יחיד של האמנים איתמר בגליקטר ואריה ברקוביץ תחת הכותרת המשותפת "כמו פרפר לאש – עקבות של מציאות". בתערוכה מוצגות עבודות של אמנים אורחים: מנשה קדישמן וגדעון גכטמן.
העבודות מתייחסות בפרספקטיבה רחבה לנושא הכליה, הזיכרון והאובדן, למציאות ששובשה ופורקה ולהצעה מינורית ביותר לנחמה.
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"Like a moth to a flame - Traces of reality", The Kfar Saba Municipal Art Gallery, Kfar Saba
Text: Angela Levine, Midnight East, an online magazine
Butterflies, creatures that signify both beauty and frailty, are recurring motifs in sculptures and wall works by Etamar Beglikter whose show The Messenger held early last year dwelt on death and bereavement. The same themes are presented here.
Text: Dr. Ben Baruch Blich, 2011
The inspiration for Etamar Beglikter’s current exhibition, "The Messenger", is his relative, Yoni Max Mano, who committed suicide nearly half a year ago on Allenby Street in Tel Aviv. During the last period of his life, “Angel” or “Mala”, as referred to by his friends, lived and worked on Allenby Street. et.....
"Esthetic Derivation", Artists' Residence, Herzliya
Text: Varda Genosar, 2010
The derived part is an apparent message-loaded element. The image of a soldier bending over his rifle portrays an incident from a ‘shadow theater’ movie.
The soldier’s figure, positioned and replicated into a production line, is the duplicated image of the artist’s father, and has been created as a kind of software for future games.
